Joe Frawley's electro-acoustic Sound Collages are intended to blur the boundary between music and sound art. Using found sounds, field recordings, recontextualized speech, and samples from classical music, the composer has created challenging yet accessible sound compositions with a hypnotic dream-like quality.
Original chamber compositions are layered and juxtaposed with evocative electronic sound samples from a wide variety of sources. Musical episodes merge with bells, birds, wind, and other ambient sounds as ghostly voices rise, fade, and recur according to their own dream logic. The final result is an intangible yet coherent experience of fleeting mental images the composer compares to "a mystical radio station that broadcasts from the subconscious." The artist's compositional aesthetic is complemented by a similar visual concept, which he expresses via photography and found object collages.






Wilhelmina’s Dream - Vibrö 4 (track 01)
Wilhelmina’s Dream... “Beautiful, evocative, and mysterious... Seems like being charmed by an old memories record player. A delicate journey of field recordings and ghostly voices”--picomedia
Joe Frawley’s Sound Collages are intended to blur the boundary between “music” and “sound art”. Using found sounds, field recordings, recontextualized speech, and samples from classical music (e.g., Ravel’s “Introduction and Allegro”, and Peter Warlock’s “The Curlew”)
the composer has created challenging yet accessible sound compositions with a hypnotic dream-like quality. Musical episodes merge with bells, birds, wind, and other ambient sounds as ghostly voices rise, fade, and recur according to their own dream-logic.
The final result is an intangible yet coherent experience of fleeting mental images. “ Imagine a mystical radio station that broadcasts from the subconscious. Fleeting visions. Fragments of thought. Displaced melodies rise and fall, clinging to strands of memory. A haunting melange of sound collages and delicate instrumental compositions. A luminous atlas of interior landscapes. A sound world by turns lulling, enchanting, eerie, and melancholy; where ultimately beauty reigns supreme, and even despair wears a halo of radiance.”





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Wilhelmina's Dream : Electronic & Acoustic Works (2006) Tangerine (2007)  





http://www.joefrawleymusic.info/audio.htm http://www.joefrawleymusic.info/gallery.htm  





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Project Creo: Bytes and Pieces, The Arts Center, St. Petersburg, Florida. July 14 - August 18, 2007. Curated by Melissa Christiano. http://www.theartscenter.org/exhibits/0607/bytes_pieces.htm

AudioSpace 2007 (a web-based audio art project within the Open Space New Music program). June 29 – September 12, 2007. http://www.openspace.ca/web/audiospace.php
 





http://www.joefrawleymusic.info/contact.htm
 



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