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Eva Sjuve, Swedish artist, is exploring the spectrum of transdisciplinary media arts with
sound, sculptural objects, and performance. She builds mobile physical interfaces and digital
instruments used in improvised performance.
She has been performing with her hybrid performances combining real-time audio processing
with improvisation, in the US, Germany, UK, France, Denmark and Belgium.
In 2000, she received an Award of Recognition at CYNETart 2000, Dresden, Germany, for the
audio composition “Astro Turf”, which explores auditory spaces.
She exhibited at venues such as Australian Center of Contemporary Art, Melbourne, Australia;
Kiasma Museum of Contemporary Art, Helsinki, Finland; European Media Arts Festival,
Germany; Centre d’Art Contemporain de Basse Normandie, France and CAEIT, California
Institute of the Arts, US.
She holds a Master’s Degree from the Interactive Telecommunications Program, New York
University. She studied electronic music at Centre de Creation Musicale de Iannis Xenakis,
CCMIX, Paris. Eva Sjuve is currently a PhD candidate at The University of Plymouth, Faculty of
Technology, part of the research group Planetary Collegium.
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Astro Turf - Vibrö 3
(track 05)
Astro Turf, explores the movement of a miniature space. In a miniature world, events are
noticed by their sounds: sweeping Astro Turf, sounds from undefineable spaces, a mechanical
shop, an occasional insect, an open window, radio waves coming from a kitchen. Astro Turf
can be a space that moves around, continuously changing its size and density, contracting
and expanding.
© Eva Sjuve 1999 |
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Next Event:
Eva Sjuve has been invited by the Cuban Institute of Music and the National Laboratory of Electroacoustic Music to participate with her composition "Astro Turf" in "Spring in Habana" International Electroacustic Music festival,
National Museum of Fine Arts, Havana, Cuba, March 6- 12, 2006
13 Volts and 1 Carrot
13 Volts and 1 Carrot is an improvised interactive performance using real-time sound processing and a gestural digital interface. The narrative in "13 Volts and 1 Carrot" is a surreal response to cultural issues of the stranger and the community, an experimental narrative based on various sources of folklore from Northern Europe, and police films from the 30’s, communicated through sound and movements. The performance examines the use of digital physical interfaces and its relation to live performance, where data is processed in real-time, in a totally self-controlled and mobile system. There are, in the current version, nine sensors attached to the body, responding to gestures. The gestural interface is built on a board with a PIC micro controller, and the sound is processed using max/msp. The length of the performance varies. The current version of the gestural controller is “Kinesis 3.0”. More info can be found at: http://www.moomonkey.com
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Selected Performances 2002-2005
for "13 Volts and 1 Carrot" :
"Resonant Wave Festival", Spannwerk, Berlin, Germany
"Is This Evidence?", Galleri Projekt, Copenhagen, Denmark
"Digital Dumbo 2002", Mastel and Mastel Gallery [ M3 Projects], New York, USA
"Minority Policy", Pio Diaz; new exhibition space, Copenhagen, Denmark "MAXIS", Clothworkers Centenary Concert Hall, Interdisciplinary Center for Scientific Research in Music, University of Leeds, Great Britain
"Half Machine", International Interactive / Robotics Festival, Grey Hall, Copenhagen, Denmark
“Downtown Digitalia”, Batofar, Paris, France
“Experimental Performance”, Pratt Institute, The School of Arts and Sciences, Brooklyn, New York, USA
“Unpredictable Music Series”, State University of New York at Stony Brook, New York, USA
“The Bunker”, Tonic, New York, USA
“Eyewash”, Remote Lounge, New York, USA
“Halcyon”, Brooklyn, New York, USA
“read_me festival –04 & dorkbot city camp”, Aarhus University and Art Academy of Aarhus, Denmark “dorkbot”, Visserlij Theatre, Ghent, Belgium
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